A local cinema has been showing classic movies recently and I had the great pleasure of watching The Philadelphia Story on the big screen – the original 1940 version with a very young Jimmy Stewart playing a tabloid journalist, Macaulay Connor, and Katherine Hepburn as the reclusive heiress, Tracy Lord. Both characters despise each other on contact but there follows a wonderful scene in a library that illustrates beautifully the complex relationship and dialogue that exists between author and reader and I couldn’t help thinking about how true it still felt 72 years later.
A lot of first time authors are opting to self-publish digitally rather than go through the traditional print process. In fact, the number of writers taking up the opportunity has created an entirely new market in self-publishing services, as I’ve often discussed. With so many people offering their opinions and recipes for success, it can be hard to sift out the good advice from the bad, but I wanted to highlight this particular podcast episode from The Creative Penn as a great example of GOOD ADVICE.
Digital Bookworld reported the news yesterday the Random House in New York was going to open its doors to the general public on Nov 2 as part of its ongoing campaign to grow the publisher’s brand outside of the trade. It follows the release of a series of videos by Random House that give insight into their business and publishing processes (see one of the videos embedded below). It’s an interesting move by Random House and shows that they are considering new ways to relate not only to the reading public, but also to authors and book industry “influencers” such as bloggers.
The 2012 Booker shortlist is out and the big winner this year seems to be Small Independent Publishing. This year there are three novels from publishers that have never before had a Booker shortlisted title to boast about. Amazingly, this is the first time that this has happened since the third annual Booker Prize way back in 1971.
OK, so I recycled a throwaway metaphor from yesterday’s article in the title of this post but let’s not get too carried away extending it into any broader literary allusion – a professional editor can do wonderful things for your book but very rarely do they ask for a first-born son in return for their services. In fact, when you consider that your editor will most likely be the single most important contributor to your book (after yourself of course), the rates that they charge are extremely reasonable.